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Doctor, you say there are no haloes
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction.,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases. Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~~~~
Copyright 1996 Lisel Mueller. From Alive Together: New and Selected Poems, Louisiana State University Press (1996).
Winner of the 2002 Ruth Lilly Prize given by Poetry magazine and a founding member of the Poetry Center of Chicago, Lisel Mueller was the author of seven volumes of poems: Alive Together, winner of the 1997 Pulitzer Prize for Poetry; The Need to Hold Still, awarded the 1981 National Book Award for Poetry; Waving from Shore, recipient of a 1990 Carl Sandburg Award; The Private Life, the 1975 Lamont Poetry Selection of the Academy of American Poets; and three other volumes.

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To paint the speed of light.
Monet Refuses the Operation is a marvelous poem on so many levels. Glancing through Mueller’s book, Alive Together, light, in all its ways, appears to have been a major theme of Mueller’s work. Her earlier poem, A Grackle Observed (1965) concludes:
brightness must outgrow
its fluttering worldly dress
and enter the mind outright
as vision, as pure light.
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Monet saw perfectly as does Mueller, in this poem.
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Yes, they are a good pairing, aren’t they?
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I never know which of Mueller’s poems to love the most. today, this aberrant cruel spring…let it be this one, and let it be strange and haloed…. and may my eyes see with hers…and his!
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Hear, hear!
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Christine, more than any of us, you have carried Mueller’s legacy.
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A beautiful comment, Margo. You have such a gift!
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