Bart Plantenga: How the Soul Remains Miraculously Intact Despite 2000 Rejections
…we must learn to nest in piles of our own rejection slips and somehow effectively grab hold of the levers and buttons that control the means of writerly production…
Adrian Blevins: How I wrote The Brass Girl Brouhaha
I wrote The Brass Girl Brouhaha by tattooing the word WRONG across my heart to help me muster the strength I’d need to argue with a world that wanted me to say “hey, y’all!” in a hill-country accent sipping tea under a dogwood in a pink smock smattered with etchings of ivy.
Susanna Lee: Jim Thompson is the perfect novelist for our crazed times
“The Killer Inside Me” is a testament to moral accountability exultantly shredded, and its resonance today is uncanny.
Matthew Redmond: Emily Dickinson is the unlikely hero of our time
As the world continues to endure the ravages of COVID-19, another ghost of Dickinson steps into view.
Rachel Hadas: Poets and novelists have been writing about life under COVID-19 for more than a century
Good artists seem, in our alarming and prolonged time […] to be leaping over months, decades and centuries, to speak directly to us now.
Paul Christensen: The American Muse
We let the unresolved issues and crises that face us mount up beyond the poet’s window, as the writer gropes for a language in which to imagine something beyond the claustrophobic assumptions we have accepted as our grasp of the world.
Michael Simms: Praise the Poet
Empires fall and buildings crumble, but songs and stories survive.
Mike Schneider: Rain-Father of Narcissism & the Inner Tyrant
Remembering Tony Hoagland (1953-2018)
Michael Simms: A brief note to Vox Populi subscribers
Dear Friends, Just want to let you know that we’ve added two new categories to our menu of posts: Fiction and Literary Criticism and Reviews. The menu can be found … Continue reading
Michael Simms: Re-reading Christina Rossetti’s ‘In an Artist’s Studio’
The value of Rossetti’s poem lies in both the expert use of the Petrarchan sonnet, a particularly challenging form to master in English, and in the poet’s complex stance on the role of art in creating and re-enforcing images of women.
Sandy Solomon: On “Adlestrop”
“Adlestrop” is a poem which, though written in a time of war, takes place during that last, long, beautiful Edwardian summer. The speaker is describing a prewar train journey in full consciousness of the disruption that is soon to follow.
Angele Ellis: Naomi Shihab Nye’s “The Tiny Journalist”
In her latest collection of poems, an award-winning poet explores resistance and hope among the Palestinian people.
Michael Simms: Dogsbody to the Muse
Sometimes it’s painful to watch a group of poets trying to work a room as if they were politicians. The AWP conference, as the wag put it, is comprised of 15,000 introverts pretending to be extroverts.
Mike Schneider: Appreciating Tony Hoagland (1953-2018) — Notes on “America”
From Tony Hoagland’s third book, What Narcissism Means to Me, his poem “America” flaps the self-loving flag of his marvelously ironical title. As Tony explained in a 2003 interview with Miriam Sagan, … Continue reading
