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I collect another phrase
for safekeeping. No need to do more
than hold his fragrance: egg, anger, each thick
river of rejoicing. On my fridge, a scrap
of my father, his perfect print
which held all the black of a day
and its losses. Now he learns the equation
for why I tell him this beginning.
From the first morning of my childhood
when he lifted me up, with iron
in his body and my apple-sized eyes. My father,
I looked giddy and exhaled.
That was Sunday. The village. I was a baby sugared
with indulgence. Fat and black-haired. Those years
of his unfolding wallet and the ongoing thorn
of origin. We knocked on the heavens
with our knees. Such boredom.
These days, the body holds its heat.
We begin with my name: a portrait of belonging.
We pantomime conversation.
I never want to feel more than I do. No,
it isn’t that. Twitching all night again. Is his presence more
of a parting or a start? My father.
I separate each hollow. I always knew
four months of snow. We bought sweaters,
he tested my algebraic solutions, my mother danced
in our hotel rooms. Her arms were pale.
If train A and train B are traveling at different speeds
from two different cities
what is the time before collision? My father.
I am not looking for a way out.
~~~~~
From Is Is Enough (Texas Review Press, March 2026). First published in Grist.

Lauren Camp is the author of nine collections, including In Old Sky (Grand Canyon Conservancy, 2024), winner of the New Mexico Book Award, which grew out of her experience as Astronomer-in-Residence at Grand Canyon National Park. Honors include fellowships from the Academy of American Poets and Black Earth Institute, a Dorset Prize, and a Glenna Luschei Award from Prairie Schooner.
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“What is the time before collision?” For all of us. And I think of the newsprint darkening my father’s hands.
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Love Lauren’s work and haven’t started the new book yet. Will now! This poem sometimes leaps between emotions evoked always by word and image. I think Lauren Camp’s poems are the mind working, fragments of the unconscious interspersed with events.
“the ongoing thornof origin. We knocked on the heavenswith our knees. Such boredom.”
The child’s boredom with church, the origin we’re not sure of but we know that thorn.
Thanks Lauren and Michael!
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“On my fridge, a scrap
of my father, his perfect print
which held all the black of a day
and its losses.”
Volumes are told in these four short lines!
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A remarkable poem from a remarkable book. “Sanctuary” opens the first section of Is Is Enough. I echo this praise from Columbia Daily Tribune: “Camp’s work is endlessly soulful, its lines slipping between emotions, memories and scenes to show how each is made up of the other.”
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Thanks, Christine. I’ve been a fan of Lauren Camp’s work for a long time.
No one else writes like her.
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