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Last time I stopped
at the corner Bodega
for coffee, a corn muffin,
the fat woman who always
sits behind the counter
spoke to me in English
for the first time and told me
Emmanuel had died
last week. “You know,”
she said, “The old man.”
And I nodded. Larry’s friend,
the old guy who straddled
the milk crate, guarded
the outside fruit bins.
Anytime we walked by,
he’d stand and smile, slap
Larry’s hand five, take off
his cap. They would hold
each other’s shoulders, bow
just a bit and bump heads
gently, three times. Sometimes
he handed Larry a mango
or a zip-locked bag of berries
and I would act like my father,
remind him to say thank you.
When I said I was sorry, that
he seemed like a good man,
she told me to tell Larry.
.
Larry wears the same grey
sweat shirt every day.
He hides it every night,
fights to keep it out
of the wash, then sneaks
down the basement, listens
to it rinse, tumble dry.
He’s thirty seven years old
and can never fall asleep
until that shirt is folded
in his top drawer. I know
that every time we walk
past the store, Larry will
still interlock his forefingers,
keep repeating “my friend,
my friend” with that slurred
slightly raised last syllable
hanging in the air. I’ll try
to hurry him, take his hand,
bribe him with a popsicle,
a black and white cookie,
until I’ll give up and lie,
promise, that yes, his friend
will be back tomorrow.
.
The last time I saw
my father, we hardly
talked. I straightened
out his sheets, ate half
of his hospital hamburger
and hoped he would hurry
and fall asleep. I kept
leaning out the door,
checking the clock above
the water fountain, looking
down the hall for my sister
who finally came and took
my place. I left, caught
an early movie and sat
in a nearly empty theater,
watching a movie I can never
remember the name of,
wishing I was Steve Buscemi
making out with his friend’s
seventeen year old daughter,
Chloe Sevigny, the night
my father died.
Copyright 2023 Tony Gloeggler. First published in Washington Square Review
Tony Gloeggler’s poetry collections include What Kind of Man (NYQ Books, 2020). He is a lifelong New Yorker.
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It’s a poweful, moving, beautifully crafted poem that leaves you to think and to read again. And again. I am transported to ‘there’.
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Yes. Thanks, Rose Mary!
M
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Only Tony writes like that. You’d recognize his poems anywhere…a little like Gerry Stern, or Phil Levine, or Larry Levis — those absolutely unique & original voices.
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Yes, Tony is an American original.
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No one can break my heart like Tony Gloeggler.
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I know what you mean, Robbi!
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Very sweet and sad all at once. Thanks for publishing this.
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Thanks, Mel. Tony’s poems sneak up on me.
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