Mike Schneider: Bob Dylan’s Ballads of Murder, Drowning & Other Songs of Love
If one of the defining tendencies of post-modernism is breaking down borders between high and low culture—such as between Beethoven and Elvis, Dylan is a supreme post-modernist. The cultural compass inscribed by his work is huge, flattering us by the depth of his learning and song awareness. We can follow or not—the songs don’t care.
October 18, 2020 · 6 Comments
