The cold came in silent as an owl. The fences stared out at the clenched landscape with gaping eyes, unlocked gates, a path already flattened out in anticipation of the coming snow.
I’m doing my best, balancing hope on the head of a pin,
following those other steadfast travelers exiting the shop, holding
their buzzing phones, their many cups of Joe.
We lie in the dark
and speak about anything
but what I ache to speak about.
when the last leaves let go, let go,
have all let go, & it’s almost winter again —
don’t remember my birthday
I was in my late teens, off to college up north. I’m hoping you’re rid of M for good, my mother said. But he wanted to move north with me, and begged me to move in with him, that we would go to school together. Me, desperate to be a solo act. The look on his face when I turned him down, unforgettable.
Hand the wooden baton
to one of your daughters; it’s time for her
to start learning this music, the bubble and
seethe as it plays the score.
Who can remember all the selves stuffed into the miraculous
sack of skin?
She is fine like a ringlet of fiddlehead fern
before it unfurls in the summer forest
When Mama and Baba pulled us from under their bed, we stood where our wall had been and looked over the smoking city.
It all began with my full-blood Yaqui Indian grandmother, Mamacita, from Sonora, Mexico, who raised me in San Francisco.
On city streets, the homeless unfurl
their sleeping bags like hungry tongues.
my palm beneath your palm
along the arc of your pregnant belly
as though my hand were the planchette
on a Ouija board
Beneath the mildly disruptive playfulness, he was a bright kid waiting to be encouraged.
All poetry begins in song, as Naomi Shihab Nye reminds the reader, starting with the title of her latest collection, 117 mostly brief free verse poems that like songs, are both accessible and mysterious.