My father was a sailor in the first group of ships to land in Hiroshima after the atomic bombs were dropped in WWII.
He says — you will let go he will let go the branch when he is
Ready I nod, yes, he says, climbing the hill from the sea
Where he has gone to wash distance and salt before it comes
After we dropped dirt
on my father’s coffin
the long line of cars
drove back to the house.
I wanted to be back in our hotel room
Looking out the single window from that height
Knowing I could not fall, that if all gave way I could always fly
The night that Father packed his suitcase
To travel to America
I ran to the alley shops
And bought a package of barberry candies
Because the dead
remind him that splinters in his palms
are gifts, he builds cabinets, chairs, houses.
His life is work, no room for self-indulgence
Luke Johnson’s debut poetry collection portrays a dream world linked to a stark reality, where generational trauma is recognized as an artifact of mind, a collection of leaping memories that haunt and possess.
I met my first hitchhiking truck driver one morning on a freeway near Columbus, Ohio.
From a half-century ago, I remember wishing my oldest son would continue saying ‘upslide down’ at least until first grade.
Bean once told me, he never
hit a woman, as if it was a big
accomplishment.
Where did he go, that autumn, when he chose
The chaste, faint ideogram of ash, & I had
To leave him there, white bones in a puzzle
By a plum tree, the sun rising over
The Sierras?
Okay,
God of crib death
and dirty needles,
of heroin and fentanyl,
God of twisted steel
burning beside the road
Last night we took a friend for a walk along the edge
of our mountain. She looked out
over the city, the rivers, the sultry slopes
crowded with sumac and maple
and said So you know where you live
no one seemed to accept
or understand I love Jesse,
that the way he will never fit
in the world reminds me of me