What does the pale infant turning to dust
in the gray light deep in the powdery rubble know
of the torn hands of her parents digging to find her?
The geese are calling—this is
time to depart. They gather and sink and
soar toward somewhere.
My native tongue doesn’t allow
the imperfect tense, so it’s difficult
to say how something might used
to happen but no more.
We will keep you alive
in our longing, in our breath.
He says — you will let go he will let go the branch when he is
Ready I nod, yes, he says, climbing the hill from the sea
Where he has gone to wash distance and salt before it comes
Light puddles over the old floor planks, then climbs
the wall behind his place in our bed, & glows there.
Past noon, slow shadows douse that light & push it
out of the room. As if they knew he won’t come back.
If the soul had a written history, nothing would have happened:
A bird would still be riding the back of a horse,
And the horse would go on grazing in a field
After we dropped dirt
on my father’s coffin
the long line of cars
drove back to the house.
A friend of my sister attended the reading—
sat in the back of the hall—coming forth only after
everyone had gone.
Another dawn. Fists in my pockets, I head east
into this street of bungalows
as if I belonged here, among the hundred windows
lit one by one
The day you passed away, I stumbled
along icy sidewalks, searching for any
sign of you
Is it true the distance between atoms
is proportionate to the distance between stars
and the world we know is mostly empty space?
You are the rosemary I add to the soup:
how you pressed pungent bristles
between thumb and finger
the emcee said at the start
of the evening, “Here we are killing
sadness,” and the music did take the sting
out of the night