Floyd Collins: The Eternal Pearl
David Rigsbee’s version of Dante’s Paradiso captures memorably the dulce stil nuovo (“sweet new style”) adopted by thirteenth century Italian poets from the troubadours of Provence.
Lisa Zimmerman: Three Self-Portraits
In the first self-portrait you’ll see me perplexed, holding a painted egg in my hand, sage green with a tumble of pink roses and a yellow bird floating. The egg … Continue reading
Martha Silano: I’m Not So Good at Corpse Pose
We’ve just woken from the dead, having been in deep rest,
when she rouses us with a clanging bell
Larry Levis: Childhood Ideogram
Where did he go, that autumn, when he chose
The chaste, faint ideogram of ash, & I had
To leave him there, white bones in a puzzle
By a plum tree, the sun rising over
The Sierras?
Yehoshua November: Driving Back to College in a Storm
And as I entered the onramp and the highway curved,
I realized I’d forgotten the wayfarer’s prayer.
Gary Fincke: Scattering
From six to ten pounds, our cremains
Will weigh, the visible fragments
White or gray, the largest pieces
Ground to sand-size for discretion
And the ease of our scattering.
Lisa Zimmerman: Loft
She returns as a red-winged blackbird or maybe
all three blackbirds swinging now on the feeder