Starlight on the hill: the fields shine white and clear.
Up there, you couldn’t miss the thieves. Down here, in these ravines,
the vineyard is all darkness.
I am sick of writing this poem
but bring the boy. his new name
his same old body. ordinary, black
dead thing. bring him & we will mourn
My hands have morphed into my mother’s; arthritic knuckles, thin skin, and yesterday I
discovered her Mah Jong set dumped in a guest closet
Tranquil, patient,
they brushed against each other
until, soon enough, they ambled
with their mermaid tails toward the dock
Tomorrow, I fly home to teach Prometheus—
that story of saving the universe with fire
and then enduring the eagle punishment
but my raised voice will be for my father
“Now you. Just remember
when you were a bear.”
it is truth, that we came here, I told you,
from other planets
where we were lords, we were sent here,
for some purpose
Every butterfly knows that the end
is different from the beginning
and that it is always a part
of a longer story
brown faces falling toward us, arms
and legs dislocated by updraft, indigenous faces we knew from our daily rounds to buy groceries and tacos
At the end of an unseasonably warm day
New Year’s Eve 2017
I stood in my kitchen holding
one wooden spoon.
This is the river’s music that still plays
like the wind in its accompaniment
to the only song I know how to sing
…some protection from sun, snow, rain in this, the very imperfect
twenty-first century where working two jobs isn’t enough to get
an apartment in a country where too much is not enough.
The experience of reading a poem should not start in the meaning first, but in the feelings it evokes just hearing those words, in the images, and rhythms carrying you along, much like a good song.