After you died, I pulled a copy of Gatsby
From your shelf — torn, underlined, smudged
With marginalia — but still beautiful
In an unbound unglued sort of way.
One of the defining aspects of F. Scott Fitzgerald’s first novel, This Side of Paradise, is poetry. The novel, devoted to the boyhood, young manhood, and then manhood proper (which is to say—war, disillusionment, and lost love) of Amory Blaine, traces the evolution of Amory’s sensibility.
A lantern light from deeper in the barn
Shone on a man and woman in the door
And threw their lurching shadows on a house
Near by, all dark in every glossy window.
Because of a parade, the road to Bushmills is closed.
It’s the only road that leads to Portrush, a town
less than nine miles away, where we’ve been told
there’s a laundromat.
Papp was a communist, raven-haired, charismatic,
His mission: free Shakespeare for the people.
He borrwed lights & props, scrounged for costumes.
Even his wife didn’t know Yussef Papirovsky
began as a tough street kid in Brooklyn.
The last time I was charmed
simply by someone’s good looks
it was something like 1963.
The bass
line thumps and grinds, the honky tonk piano moves like an ivory
river, full of swampy delta blues.
Reading poems from The Great Fires, some of them in earlier versions, Jack Gilbert looks back on the loves and solitudes of a life lived acutely, seen in terms of the Pittsburgh steel mills where he worked as a youth
When I die, lay me in the loam under the big oak
on the path through the woods, deep down in the endless
flow of talk among the trees there…
These are lonely times.
No sweetness lingers on the tongue
from this carrot’s purple flesh.
I am no priest of crooks nor creeds,
For human wants and human needs
Are more to me than prophets’ deeds
Everything else was to come, everything about love:
the sadness of it, knowing it can’t last, that all lives must end,
all hearts are broken.
Imbolc marks the beginning of spring, and for Christians it is the feast day of Saint Brigid, Ireland’s matron saint.
A falling down, bullet-pocked sheet metal wall
Once erected to mark the edges of the
South Side Jones and Laughlin steel mill