The shoemaker singing as he sits on his bench, the hatter singing as he stands,
The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown…
When finally we got our own TV, the evening news
with its hooded figures of the Ku Klux Klan
seemed like another movie
at dawn you’ll arrive
having thrown your luggage in the River Styx
and we’ll drink from the silver cup of day
the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows
Each day, we must learn
again how to love, between morning’s quick coffee
and evening’s slow return.
Unlike you
I’m not meant to die.
Amidst plunging polls and righteous rage at his Epstein Memorial Ballroom, the inept manchild faces growing resistance, sublime to ridiculous, to his nascent kingship.
Life isn’t always hard, but it’s almost never easy.
Listen: in this poem, there are no men.
I give to myself & give again.
A bright, spring coat hangs on a hook—Chop Suey customers
unaware Wall Street will crash, the country will plunge into war
upon war, torrents of technology. Yet already, in their face-to-face
hunger—no smiles, no laughter shatters the loneliness.
The poem he will write is like a door, it opens out to his ability to create; and he will go through that door—he will write other poems, he will exploit the ground and leave it exhausted.
Because each day
is a fresh new start, revised as the sky
after rain. Because my mug is full
of dark goodness, and the day is a clean
blank sheet.
The measured blood beats out the year’s delay.
The tearless eyes and heart, forbidden grief,
Watch, the burned, restless, but abiding leaf,
The brighter branches arming the bright day.
Your voice, echoing in the narrow and dark corridor,
continuously echoing, warm and bright,
as if beyond this ordinary dusk
there is no hunger, toil and separation in the world.