what am I
to myself:
two feet on
some land
when upright
Reasons abound for Republicans to not think twice or to dismiss poetry as elitist or more identity politics or whatever pejorative comes to mind. Much more important work is waiting– or so we are told.
This is a journey without an end,
Who can tell you what to do
After the fairy tale ends?
We hid in a big wardrobe to sing
songs praising Zapata, our voices
joined, the air smelling of walnut.
I’m doing my best, balancing hope on the head of a pin,
following those other steadfast travelers exiting the shop, holding
their buzzing phones, their many cups of Joe.
Not for victory
but for the day’s work done
as well as I was able;
not for a seat upon the dais
but at the common table.
…awe will follow you from now on
wherever you go, like the snow-light
that fills these rooms
When his hands could no longer hold a brush,
Matisse turned to paper and scissors, “painting”
with cold metal carving heavy gouache
shearing shallow reliefs.
A host of magpie kith and kin come
Back to tend and keen the fallen.
17 years since my son’s death, and still, each night when my husband drifts off, I watch movies, write, or read. Anything to stay awake.
Beautiful wreckage of my country, I’m still trying to love you.
At the Saturday Pearly Balls, I conga
to the karaokes of yokels, popes, madams
& Nobels. No one wears a watch, no strike
of midnight to worry about. I’ve read all
the books & let go of the past — at last.
A new film elegy by Bryan Konefsky that uses the lens of loss and grief to explore intersections between memory and artifact.
We lie in the dark
and speak about anything
but what I ache to speak about.