a poet and a tree
are always interchangeable
She sits beside him all night,
watching the Father’s darkness,
listening to the careful breath of the dark,
listening to the broken winds of another world.
What’s ahead
horses see only
by degrees, the way love ends,
no one touching in the dark.
There is in me a traipsing line of ragged men
I can’t ignore. Grass stalks dangle from chinks
in the house’s mortar by the caged window.
I wanted to come home transformed
and be surprised by the flickering
in our radically impermanent
robes
I went wandering this afternoon
The lonely streets of my village
Accompanied by the good twilight
Which is the only friend I have left.
By the Universe deserted,
she’d tell it to go to hell,
and she’d find a body of water,
or a mirror, on which to dwell.
The Voice of America got us to Karachi. Damascus. Islamabad. Dhaka. We went everywhere thanks to the Voice of America. Sat in circles on wooden floors, wore white flower garlands on beaches. Spent birthdays beneath mosquito nets. Rode in rickshaws. Stirred curries. Made friends. Loners. Social butterflies. A monkey climbed through a window in south India to lift the lid of a pot.
Over the phone, David begins to read
and Mary, in old age, in a nursing home,
returns to life in David’s voice, voicing
her words, her questioning
of her own bafflement
In the long long bliss of the breastfeeding years, I belonged to that rocking chair where sun filtered through the window and the leaves of the summer pomegranate shifted slowly in the hot June air.
I stop weeding, stand still a while, hands on hips,
because it’s back again — that feeling of elation
tangled with grief.
I embrace two rivers, the Changjiang and the Mississippi, each taking a share of my tributary for thirty-four years. Life is a river. The migration from East to West is a way of releasing the self for a confluence of places and allowing the rivers to flow through me and form a shoal of belonging.
As he has gained fame and power, Trump’s contemptuous rage at his opponents and his appetite for vengeance appear to have sharpened.
On exiting “Warmth of Other Suns” at the Phillips Collection, 2020