In 1971 I’m
thirteen years old
watching a big
Vietnam war protest
on television
Sonnet 18 is the most famous and most quoted of Shakespeare’s lyric poems; it is a celebration of youthful beauty which concludes with an ironic joke about Shakespeare’s own burgeoning fame.
So here’s what this old white history teacher learned
from Kelvin and the Black kids in the ghetto school.
Doesn’t everyone
covet an easel? — its smart little body
named after onagers and donkeys, ancestor
of art kept trim.
He died in Minneapolis on an ordinary day,
A day we’ll all remember.
We can’t turn away. It was a day
Like this one, a Monday, in Spring.
It took everything, every bit of strength I had,
To say, The others will be missing us.
He turned on his heel and left.
look down
and watch the glaciers fall
the oceans rise
I’ve been reading an obituary
About Nigel
The lonely gannet of Mana Island
Who fell in love
With a concrete statue
He built a wall around himself and demanded
that his image be painted on the inside of the wall
looking back so he could imagine the shouts
on the outside were cheers for him
The few who dare, must speak and speak again
To right the wrongs of many.
Say yes, sir when the officers stop you
for the fourteenth time, looking
for somebody
When the world burns, we will be like the women
of Pompeii who left their bread loaves to bake—
our laundry mid-cycle, newspapers turned
to the op-eds, windows open to catch a breeze.
Our friend Christian, an African-American and one of the best men I know, told my wife that when he saw the video of the murder of George Floyd, he wept for hours.
They can hide. What’s the point of hiding?
They can run. Why bother running?
They feel defeated by the world’s terrors.