Valerie Duff: Russian Chapter
Deserters call and wave their sacks
at the carriage bound for Petersburg.
Christopher Bursk: Nor are we fit to force our way across
when I was a child
I wanted with all my heart to be the one
to suffer
Tayve Neese: Still, we wait for sounds of plumage
Still, we wait for sounds of plumage
in this world even angels shun.
Audio: Gregory Corso reads his poem “Marriage”
Beat generation poet Gregory Corso reads his classic poem “Marriage” from his book, The Happy Birthday of Death, first published in 1960.
Marianne Moore: Marriage
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness…
George Drew: Positive Space
he taught me how to make a military tuck
of the sheets and blankets; the way a quarter should bounce,
and when it did, the way he’d smile and clap my back. I lived for that.
Josephine Dickinson: The Water Bearers
we wriggled and followed
the path upstream,
coigned in its armbends, whinsill, lime,
dumped peatblocks,
humped heather, deer grass
Michael Simms: Heart of Glass
In Herzog’s great visual opera
The hero stands on a cliff
Above a valley where a river
Of molten glass carries
Light to the sea
Video: Poetry and Immortality in Keats’ Ode to a Nightingale | Belinda Jack
John Keats’ “Ode to a Nightingale” — a lecture by Oxford Professor Belinda Jack
Doug Anderson: Negative Capability
…art that honors the art and artist as well as its content, and apprehends it as more than its socio-political reality. Art is hard to do and not everybody can do it. It is not merely a pretext for theory.