The horse drawn cart hasn’t gone far, it will carry away
the love of the land, and one or two shy grasshoppers.
At this moment, her hanging sickle
reflects the white light of winter arising in the distance.
…the soldiers
dismount and go
house to house,
come back out and sit
in the shade.
my own feet beginning to slide
and shuck, drawn into that vortex,
adding my own brand
of Arriba, Arriba to the mix
In old age wandering on a trail of beauty, living again, may I walk.
You might be
driving to work one stormy morning,
scowling at every car that passes you
when it happens again—that sudden
leap in the chest as you see the rain
Enough wood for a bonfire, I say, recalling the night
we torched a dead Christmas tree, drinking white wine and dancing
around the leaping blaze and the dark morning I burned your love
letters in a metal trash can outside, drunk and weeping, liar! liar!
Candy is to children what sex is to us, because when
you were a child, candy is what you thought about every
waking moment.
endless as the sea, not separate, we die
a million times a day, we are born
a million times, each breath life and death:
get up, put on your shoes, get
started, someone will finish
everything just gets sweeter as I sit under
the maple after working all day in the garden
and listen to the music of silence disguised
as birdsong and breeze in the overstory
One sight that sticks with me is the tail
of a blue phoenix soaring on a tile
from fifteenth-century Turkey. I couldn’t draw it
worth a damn, but gazed until I knew it.
I used the pencil in my hand to see.
Now she pivots like a dancer, gripping the board
with her toes, and rises as it quivers with her weight
then settles again. She waits until it stops,
until she gathers herself up to balance there,
tall and undeniable, her back to us in the withering light.
Door of forgiveness that’s never locked.
Door of dreams. Door of god.
Door of contentment without a knob
that can only be entered with empty hands.
I’m reading Basho’s “Backroads to the North Country,” on my trip, an old, crumbling Penguin classics series that includes four separate journeys and a great intro. He conveys at one point how grateful he is to be on the road, Mt Fuji far away back home in Edo, so he needn’t ponder it in his life for awhile.
“…the pure pleasure of the numinous poem, which, in the final analysis, might contain our personal myths, successful in the way myths are successful, in their transmission of complexity, magic, and the paradoxes of this painfully-beautiful world.”