Malcolm Daniel: The photography of Julia Margaret Cameron
In Cameron’s Mountain Nymph, Sweet Liberty, Miss Keene, an arresting model about whom we know nothing but her last name, stares directly at the camera (and, by extension, at the viewer), her hair loose and her eyes open wide. Filling the frame, she seems to step out of the picture.
Video: Shanti Rides Shotgun
On Manhattan’s jam-packed streets, NYC’s most iconic driving instructor prepares students for the road ahead.
Edna St. Vincent Millay: ‘She had a horror he would die at night’
She had a horror he would die at night.
And sometimes when the light began to fade
She could not keep from noticing how white
The birches looked and then she would be afraid
Carol Moldaw: Arthritis
“Save your hands,” my mother says,
seeing me untwist a jar’s tight cap—
just the way she used to tell me
not to let boys fool around
Louise Bogan: Cassandra
And madness chooses out my voice again,
Again. I am the chosen no hand saves…