When awarded the Nobel Prize for Literature in 2016, Bob Dylan gave no comment for two weeks, ignored the Academy’s calls, didn’t attend the ceremony, and collected the award in a hoodie four months later. But Dylan later sent them a rambling, 27-minute ode to literature.
This is the power we need in a post-truth world, where political forces claim the right to manipulate our perceptions through distortions of language.
Refaat Alareer stands in a field in Gaza, holding a container of freshly picked strawberries. What evokes the earth’s sweetness more fully than a ripe berry? The expression on his face—scholarly, bespectacled—is gentle and tender.
“If poetry is the most ancient and primal art, if it is a universal human activity, if it uses the rhythmic power of music to speak to us in deep and mysterious ways, if the art is a sort of secular magic that heightens the sense of our own humanity, then why is poetry so unpopular?”
On Flannery O’Connor, Donald Trump, and American Violence
Enrico Muratore Aprosio’s Cry for Common Sense and Common Humanity,
A big part of the magazine’s eventual success was Ross’ genius for spotting talent and encouraging them to develop their own voices.
To navigate these terrible times, we need Audre’s Lorde’s audacity: Protect the public sphere. Refuse to be silenced.
The popularity and critical success — a not-easy-to-achieve combo — have to do not only with the singular genius of Dylan, an unknown 19-year-old bohemian who becomes the icon of an era, but also with the historical-cultural milieu in which the movie’s events — real and not — occurred.
Does it make any sense to say I heard dead silence? No matter. I’ll simply declare that I’ve never known such quiet in the sixty years I’ve roamed these woods and hills.
Then I saw a burning light, as large and as high as a mountain, divided at its summit as if into many tongues.
In Lynch’s world, human beings are, so to speak, flammable animals whose electrical nature can be set off by a carnal gaze or by sinister forces that roam the ether and can turn one person into another with a mere zap. The zap can seem both hokey and terrifying.
This book’s enduring beauty and daily usefulness can cradle and help to heal our broken hearts.
Reasons abound for Republicans to not think twice or to dismiss poetry as elitist or more identity politics or whatever pejorative comes to mind. Much more important work is waiting– or so we are told.