Abby Zimet: Pity the Nation/ Whose Shepherds Mislead Them
Amidst plunging polls and righteous rage at his Epstein Memorial Ballroom, the inept manchild faces growing resistance, sublime to ridiculous, to his nascent kingship.
Cesare Pavese: Notes on Certain Unwritten Poems
The poem he will write is like a door, it opens out to his ability to create; and he will go through that door—he will write other poems, he will exploit the ground and leave it exhausted.
Emma Grover: Finding Sappho | Four translations in conversation
In this article, I review four translations of Sappho produced over the past six decades.
Fred Shaw: Debunking the Right’s Obsession with Antifa
Rutgers University History Professor Mark Bray shares why he and his family fled the U.S. over safety concerns amid the Trump administration’s broad attacks on Antifa.
David Kirby: In Praise of Chaos
Picasso says, Inspiration exists but it
has to find us working. The more you work,
the more mistakes you make. If you make
enough of them, it’s considered your style.
Michael Simms: Baron Wormser (February 15, 1948 – October 7, 2025)
Although history will have the final word on who among us is read by future generations, I’ll put my money on Baron. His writing represents the best of the American spirit.
Baron Wormser: On a Sentence by Albert Camus
Sometimes, the illness of our world, the death-in-life that turns nature into nothing more than the source of raw material, seems so boundless that throwing the lasso of language on it seems impossible.
Baron Wormser: Distressed
Since grade school when I was hunched under my desk during an air-raid drill, I have been distressed by the specter of the atomic bomb.
Mike Schneider: Appreciating Charles Simic (1938-2023)
In the distance our great leader
Crowed like a rooster from a balcony,
Or was it a great actor
Impersonating our great leader?
Perin Gürel: What an old folktale can teach us about the ‘annoying persistence’ of political comedians
Donald Trump’s gleeful response to the show’s cancellation, and his suggestion that others will be “next up,” shows just how seriously some political figures take comedic critique.
Dion O’Reilly: Subject C, the Numinous, and Ellen Bass’s ‘Gate C-22’
“…the pure pleasure of the numinous poem, which, in the final analysis, might contain our personal myths, successful in the way myths are successful, in their transmission of complexity, magic, and the paradoxes of this painfully-beautiful world.”
Jordan Smith: These Days
The danger of elegy is that it just tells us what we already know: we lose and suffer and become the subject of the loss and suffering of others. Liam had no patience for what he called the “I fall upon the thorns of life, I bleed” school of poetry.
Sarah Beckerman: What fantasy stories teach us about defeating authoritarianism
More than offering an escape, fantasy worlds can also show what courage looks like when the odds are stacked against you.
Alfred McCoy: Did Mark Twain Imagine Donald Trump?
If Mark Twain were alive today, he would certainly have written a novel about Donald Trump. After all, his 1873 novel, The Gilded Age: A Tale of Today, distinctly caught a nineteenth-century version of our Trumpian moment, tariffs and all.
