Richard St. John: Death of the Tragedians
He was torn apart by dogs
set loose by playwrights, jealous that the gods
gave him more talent
William Blake and Catherine Boucher: Four Images from The First Book of Urizen
The globe of life-blood trembled
Branching out into roots:
Fib’rous, writhing upon the winds:
Fibres of blood, milk and tears
Sydney Lea: A Busy Life
I’m an old man now, and I do acknowledge a certain kind of pointlessness, namely my occasionally fervent striving to decode my life’s “meaning,” and even the world’s. In saner moments, I can actually consider the futility of such an endeavor a relief and a blessing.
Malcolm Daniel: The photography of Julia Margaret Cameron
In Cameron’s Mountain Nymph, Sweet Liberty, Miss Keene, an arresting model about whom we know nothing but her last name, stares directly at the camera (and, by extension, at the viewer), her hair loose and her eyes open wide. Filling the frame, she seems to step out of the picture.
Catherine Anderson: Diana’s Arrow
Nearby, I saw oak leaves
had settled like a helmet of ash on a statue
of Diana—protector of children,
women, all living things—the deity
whose arrow never misses.
Linda Stern: At the Jetty
You climbed the jetty leading to the sea,
and I hung back to let you try your skill
at navigating life apart from me
though you were not so far I could not still
reach for you if you slipped and fell.