Allen Stein: Contact Trace
they’d determined that he’d picked up the Covid
while getting fitted for tortoiseshell bifocals
to replace the pair his puppy had chewed
David Rivard: Maria’s Yellow Coat
a sun that floats the way
Maria’s knitted newsboy cap did once,
just above the horizon
Elizabeth Romero: Happiness
I live in a pink truck at the edge of the sky.
Jose Padua: What I’m Reading
History is layered, full of bones and ghosts, herself a storm of beau- tiful, frightening talent.
Video: The Beetle at the End of the Street
In this Fellini-esque comedy, a psychic fishmonger foresees Amadeo’s death, so his fellow villagers rally to give him the best final seven days for which one could ask.
John O’Keefe: Amo, Amas
Amo, Amas, I love a lass
As a cedar tall and slender;
Sweet cowslip’s grace is her nominative case,
And she’s of the feminine gender.
Paul Christensen: Portrait of the Artist as a Young Twit
I used to wander around on lower Broadway in Manhattan when I was still a teenager. I had a dead-end job at a valve company taking orders from plumbers wanting a gate valve or oversized coupling for an apartment building going up.
Louise Hawes: My muse at seventy-something
My muse is fast; her legs, long, relentless,
churn like propellers. She seldom stops to
explain where we’re going.