Sydney Lea: A Busy Life
I’m an old man now, and I do acknowledge a certain kind of pointlessness, namely my occasionally fervent striving to decode my life’s “meaning,” and even the world’s. In saner moments, I can actually consider the futility of such an endeavor a relief and a blessing.
Elizabeth Romero: Phantom Director
What a bandied about word love is but what other word for the way
Your voice
reaches inside me as though it were my own?
Moudi Sbeity: Watching the Tall Burly Man at the Ice Cream Shop Lick His Cone
I watched him walk away from the register,
all rough and tarnished, hard in the heart –
I could tell – even mad in the eyes, lifting the
cone to his slightly cocked head, tongue sticking
out, wiping itself in a swirl along the sugar spire.
Sean Sexton: Heavenward
An orange glow back-lights the sky before dawn
with approaching newness made of blue. The world
still drips from a perfect midafternoon rain arriving
yesterday to carry into dark.
Malcolm Daniel: The photography of Julia Margaret Cameron
In Cameron’s Mountain Nymph, Sweet Liberty, Miss Keene, an arresting model about whom we know nothing but her last name, stares directly at the camera (and, by extension, at the viewer), her hair loose and her eyes open wide. Filling the frame, she seems to step out of the picture.