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On the way to lower Broadway
this morning I faced a tall man
speaking to a piece of chalk
held in his right hand. The left
was open, and it kept the beat,
for his speech had a rhythm,
was a chant or dance, perhaps
even a poem in French, for he
was from Senegal and spoke French
so slowly and precisely that I
could understand as though
hurled back fifty years to my
high school classroom. A slender man,
elegant in his manner, neatly dressed
in the remnants of two blue suits,
his tie fixed squarely, his white shirt
spotless though unironed. He knew
the whole history of chalk, not only
of this particular piece, but also
the chalk with which I wrote
my name the day they welcomed
me back to school after the death
of my father. He knew feldspar,
he knew calcium, oyster shells, he
knew what creatures had given
their spines to become the dust time
pressed into these perfect cones,
he knew the sadness of classrooms
in December when the light fails
early and the words on the blackboard
abandon their grammar and sense
and then even their shapes so that
each letter points in every direction
at once and means nothing at all.
At first I thought his short beard
was frosted with chalk; as we stood
face to face, no more than a foot
apart, I saw the hairs were white,
for though youthful in his gestures
he was, like me, an aging man, though
far nobler in appearance with his high
carved cheekbones, his broad shoulders,
and clear dark eyes. He had the bearing
of a king of lower Broadway, someone
out of the mind of Shakespeare or
Garcia Lorca, someone for whom loss
had sweetened into charity. We stood
for that one long minute, the two
of us sharing the final poem of chalk
while the great city raged around
us, and then the poem ended, as all
poems do, and his left hand dropped
to his side abruptly and he handed
me the piece of chalk. I bowed,
knowing how large a gift this was
and wrote my thanks on the air
where it might be heard forever
below the sea shell’s stiffening cry.
~~~~
Copyright 2014 Philip Levine. From The Simple Truth (Knopf, 2014).

Philip Levine (1928 – 2015) was best known for his poems about working-class Detroit. He taught for more than thirty years in the English department of California State University, Fresno and held teaching positions at other universities as well. He served on the Board of Chancellors of the Academy of American Poets from 2000 to 2006, and was appointed Poet Laureate of the United States for 2011–2012. [adapted from Wiki]
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How he gets us to his school’s chalkboard opens everything so much wider.
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Yes!
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Oh yes this is so wonderfully complete, has that nuance of a stream flowing at such careful pace through its banks of the soul. He was nothing if not soulful. The poem makes us all complete this morning and able to go on about our day full of the thing we’d otherwise for lack of, be dying.
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Poetry gives its gifts in small gatherings of words to feed our starving hearts… a few days ago here… Sean Sexton said of the words for the goats… “Only children and angels would say such a thing.” Today, Philip Levine ends with “my thanks on the air/where it might be heard forever/ below the sea shell’s stiffening cry.”… And as Shakespeare whispered for us…”such things as dreams are made of…”… May the invisible be written in air and in chalk and in chant and in french and other tongues… even in such dark days as ours.
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So beautifully said Margo!
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Thank you for this wisdom, Margo!
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