A curated webspace for Poetry, Politics, and Nature with over 20,000 daily subscribers and over 8,000 archived posts.
Out walking in the frozen swamp one gray day,
I paused and said, ‘I will turn back from here.
No, I will go on farther—and we shall see.’
The hard snow held me, save where now and then
One foot went through. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled—and measured, four by four by eight.
And not another like it could I see.
No runner tracks in this year’s snow looped near it.
And it was older sure than this year’s cutting,
Or even last year’s or the year’s before.
The wood was gray and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labor of his ax,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could
With the slow smokeless burning of decay.
Public Domain. This poem first appeared in North of Boston by Robert Frost in 1914.
Note: As Amy Nawrocki writes, “In the often overlooked poem ‘The Wood-Pile,’ Robert Frost explores the human life cycle, particularly the process of aging. The speaker is in a middle stage of life, about to embark on the winter of old age, which corresponds to the setting of the poem.”
Subscribe to get the latest posts sent to your email.
How did you know, Mike? Thank you.
As I am about to turn eighty in three days,
I can see the woodpile all askew
with the stake now in one hand
and the prop in my other,
the sunset on the horizon,
the raven in the tree singing Nevermore,
the wind whistling through the lilies of the valley,
and what happened in the thousand yesterdays
but a brief prelude to tomorrow
when someone else will come upon the woodpile
and assemble the last living logs for the cold winter’s fire
that takes the frost off the bark
and warms the stones of another’s hearth
until it’s time once again
to make fresh new tracks in the snow
and lift the ax to the sky.
And I look forward to meeting Mr. Frost!
LikeLiked by 2 people
What a lovely lyric, Charles. Thank you!
>
LikeLike
I love this piece, which I’ve never seen before. Thanks.
LikeLiked by 1 person
Today Vox Populi sent out three forgotten gems from Frost, Millay, and Wordsworth. Thanks for noticing, Robbi.
>
LikeLiked by 1 person
This has always been one of my favorite Frost poems. Thank you for featuring it. A walking, musing kind of poem, so apparently effortless. Frost weaves into his photographically precise rendering of a winter landscape quite a list of human traits—the mind making decisions and changing them, curiosity, openness, fear, egoism, pleasure in a task well done. He humanizes the landscape. The end fuses both views, and is prescient: decay does release carbon into the atmosphere.
LikeLiked by 2 people
Very perceptive. Thanks, Maura.
>
LikeLiked by 1 person