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It was only days before that I stood in front of Monet’s Houses of Parliament,
lifted in its blue flame, burning through water, and clouds, and everything between,
a kind of healing that rises like heat when I sit quietly and remember.
.
It holds me on the day news breaks of Notre Dame on fire, kindled red
as the cataracts of Monet’s old age scorching all colors before his eyes.
And then I remember standing in front of those old stones and feeling
.
flight in them suspended above spring trees, and hearing angels sing
not in voices but colors blossoming in a rosette burst between towers, a spire
needling the sky, that now collapses into the smoldering skeleton,
.
sending up a plume of gray. Prayers and wonder in these arches flicker
into smoke and ash, a single, blind beating wing. Believers and atheists alike
gather in the streets, closing their eyes—not in prayer but for the grace
.
of memory to hold, a grasping at any image to keep some semblance
from this beauty, a form to walk through, a light to see by, a way
to recover from the wound that took the place of the angel that left us.
Copyright 2019 Michael T. Young

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