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What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.
—
Public Domain
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I am a longtime Millay fan who now writes quite a few “American sonnets” — which are much more lenient as to meter and rhyme. Every time I read one of Millay’s sonnets aloud, and slowly, I am in awe: they are so smooth and easy. Thank you for this one.
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When I was young, I wrote many sonnets, none of them very good, I’m afraid, but I am aware of the challenges of the form, and no one, at least no American, uses the form as well as Millay.
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Reblogged this on Memories Before The Menopause.
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My candle burns at both ends; it will not last the night;
But ah, my foes, and oh, my friends – it gives a lovely light!
ESVM
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Thank you! I love this poem. First Fig, right?
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Dorothy Parker.be damned, she was the original bad girl.
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