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Velázquez took a pliant knife
And scraped his palette clean;
He said, “I lead a dog's own life
Painting a king and queen.”
He cleaned his palette with oily rags
And oakum from Seville wharves;
“I am sick of painting painted hags
And bad ambiguous dwarves.
“The sky is silver, the clouds are pearl,
Their locks are looped with rain.
I will not paint Maria's girl
For all the money in Spain.”
He washed his face in water cold,
His hands in turpentine;
He squeezed out colour like coins of gold
And colour like drops of wine.
Each colour lay like a little pool
On the polished cedar wood;
Clear and pale and ivory-cool
Or dark as solitude.
He burnt the rags in the fireplace
And leaned from the window high;
He said, “I like that gentleman's face
Who wears his cap awry.”
This is the gentleman, there he stands,
Castilian, sombre-caped,
With arrogant eyes, and narrow hands
Miraculously shaped.
Public Domain
Elinor Morton Wylie (1885 – 1928) was an American poet and novelist popular in the 1920s and 1930s. She was famous during her life for her ethereal beauty and her scandalous love affairs.
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Diego Rodríguez de Silva y Velázquez (1599 – 1660) was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age. He painted initially in a precise style, but later developed a free manner characterized by bold brushwork that produced an illusion of form only when viewed at a suitable distance. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners.